A performance solo e o sujeito autobiográfico
DOI:
https://doi.org/10.11606/issn.2238-3867.v1i0p91-103Palabras clave:
Performance, contemporâneo, sujeitoDescargas
Referencias
ARCADE, P. New York Values e Bad Reputation. Manuscritos não publicados.
de MAN, P. “Autobiography as De-Facement”. In: The Rethoric of Romanticism. Nova York, Columbia University Press, 1984.
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BUTLER, J. Bodies that Matter: on the discursive limits of “sex”. Nova York, Routledge, 1993.
CARR, C. On Edge: Performance at the end of the twentieth century. Hannover e Londres, University Press of New England, 1993.
FINLEY, K. “The Constant State of Desire: In: Shock Treatment. San Francisco, City Light Books, 1990.
FINLEY, K. “Performances Strategies: In: MARRANCA & DASGUPTA (eds.). Conversations on Art and Performance. Baltimore e Londres, John Hopkins University Press, 1999.
FOUCAULT, M. The History of Sexuality. Vol. 1. Nova York, Vintage Books, 1990.
HART, L. “Motherhood According to Karen Finley: The Theory of Total Blame”. In: MARTIN, C. (ed.). A Sourcebook of Feminist Theatre and Performance. Nova York e Londres, Routledge, 1996.
LEJEUNE, P. On Autobiography. Minneapolis, University of Minnesota Press, 1989.
MARTIN, E. “Medical Metaphors of Women’s Bodies: Menstruation and Menopause”. In: CONBOY, MEDINA & STANBURY, S. (eds.). Writing on the Body: Female Embodiment and Feminist Theory. Nova York, Columbia University Press, 1997.
PATRAKA, V.M. “Split Britches in Split Britches: Performing History, Vaudeville and the Everyday” In: HART & PHELAN (eds.). Acting Out: Feminist Performances. Ann Arbor, Michigan University Press, 1993.
RÓMAN, D. Acts of Intervention. Bloomington e Indianapolis, Indiana University Press, 1998.
SHAW, P. Menopausal Gentleman. Manuscrito não publicado.
STAROBINSKI, J. “The Style of Autobiography”. In: OLNEY, J. (ed.). Autobiography: Essays Theoretical and Critical. New Jersey, Princeton University Press, 1972.
STILES, K. “Uncorrupted Joy: International Art Actions”. In: SCHIMMEL, P. Out of Actions. Nova York, Thames and Hudson, 1998.
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Derechos de autor 2001 Ana Bernstein
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