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Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual
Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual
Número referente aos meses de julho a dezembro de 2019
Published:
2019-07-02
Full Issue
PDF (Portuguese)
Presentation
Presentation
Eduardo Victorio Morettin
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.158605
Dossier
The miseries of the needle of the cooperative Cinéma du Peuple
a feminist movie in the early cinema
Luiz Felipe Cezar Mundim
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147866
Paulo Emílio and the formation of historical studies of cinema in Europe
Rafael Morato Zanatto
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147896
Night on fire, the Brazilian’s 1970s seen by Jean Garrett
Laura Cánepa, Tiago José Monteiro
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.148166
The independent Brazilian video
political criticism in the producer Olhar Eletrônico
Regilene Sarzi Ribeiro
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147428
Cold War and civil liberties, yesterday and today, in Bridge of Spies
Fábio Luciano Francener Pinheiro
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147837
Life and the mud
three cinematography seduced by memory
Rogério Luiz Silva Oliveira
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147804
Portraits of identification
the image-archive as memory protection
Ricardo Lessa Filho
PDF (Portuguese)
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.148487
Articles
A cold shuder walks over all my body
Mário Peixoto in England
Denilson Lopes
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.152046
Cinema and the technological capture of time
Silvia Okumura Hayashi
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147840
Darkness, resistance and silence in Jean-Pierre Melville’s Le silence de la mer
Waldemar Dalenogare Neto
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.149108
“Ferris Bueller’s Day Off”
postmodern hedonism and the Reagan era’s neoliberal morality
Roney Gusmão
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.148499
Tension in the ethnographic field
the thought of Jorge Prelorán
Javier Campo
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.151048
Screen quota (Law Nº. 12.485/2011) and independent production on Pay TV
Kátia Santos de Morais
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147815
On the edge of history
analog photography, artists and wrong images
Ludimilla Carvalho Wanderlei
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.148839
The singularity of “Vereda tropical” under a bakthinian approach
Alexandre Silva Guerreiro
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.146480
Enfatizando o processo
documentação e presença na performance audiovisual
Ana Carvalho
PDF
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.148819
Reviews
Comments on Public spectacles of violence: sensational cinema and journalism in early twentieth-century Mexico and Brazil, by Rielle Navitski
Carolina Azevedo Di Giacomo
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.155297
Uruguay films itself
practicing documentary, practicing history (1920-1990)
Isadora Remundini
PDF (Portuguese)
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.154197
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