Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual

View Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual

Número referente aos meses de julho a dezembro de 2019

Published: 2019-07-02

Full Issue

Presentation

  • Presentation

    Eduardo Victorio Morettin
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.158605

Dossier

  • The miseries of the needle of the cooperative Cinéma du Peuple a feminist movie in the early cinema

    Luiz Felipe Cezar Mundim
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147866

  • Paulo Emílio and the formation of historical studies of cinema in Europe

    Rafael Morato Zanatto
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147896

  • Night on fire, the Brazilian’s 1970s seen by Jean Garrett

    Laura Cánepa, Tiago José Monteiro
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.148166

  • The independent Brazilian video political criticism in the producer Olhar Eletrônico

    Regilene Sarzi Ribeiro
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147428

  • Cold War and civil liberties, yesterday and today, in Bridge of Spies

    Fábio Luciano Francener Pinheiro
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147837

  • Life and the mud three cinematography seduced by memory

    Rogério Luiz Silva Oliveira
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147804

  • Portraits of identification the image-archive as memory protection

    Ricardo Lessa Filho
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.148487

Articles

  • A cold shuder walks over all my body Mário Peixoto in England

    Denilson Lopes
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.152046

  • Cinema and the technological capture of time

    Silvia Okumura Hayashi
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147840

  • Darkness, resistance and silence in Jean-Pierre Melville’s Le silence de la mer

    Waldemar Dalenogare Neto
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.149108

  • “Ferris Bueller’s Day Off” postmodern hedonism and the Reagan era’s neoliberal morality

    Roney Gusmão
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.148499

  • Tension in the ethnographic field the thought of Jorge Prelorán

    Javier Campo
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.151048

  • Screen quota (Law Nº. 12.485/2011) and independent production on Pay TV

    Kátia Santos de Morais
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.147815

  • On the edge of history analog photography, artists and wrong images

    Ludimilla Carvalho Wanderlei
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.148839

  • The singularity of “Vereda tropical” under a bakthinian approach

    Alexandre Silva Guerreiro
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.146480

  • Enfatizando o processo documentação e presença na performance audiovisual

    Ana Carvalho
    DOI: https://doi.org/10.11606/issn.2316-7114.sig.2019.148819

Reviews