Documentary and Brazil in the World War II: anti-militarism and anti-communism as sensitive pattern
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2015.107109Keywords:
Documentary in Brazil, the Brazilian Expedi- tionary Force, people representation, brazilian cinema, documentary.Abstract
The text review the book Documentary and Bra- zil in the World War II by Cássio dos Santos Tomain, debat- ing the strategies of representation mobilized by the films Rádio Auriverde (Sylvio Back, 1991), Senta a pua! (Erick Castro, 1999), A cobra fumou (Vinicius Reis, 2002) and O Lapa Azul (Durval Jr, 2007).
Downloads
References
BERNARDET, J.-C. Cineastas e imagens do povo, São Paulo: Brasiliense, s/d.
TOMAIN, C. dos S. Documentário e o Brasil na Segunda Guerra Mundial, São Paulo: Intermeios/FAPESP, 2014.
Downloads
Published
Issue
Section
License
Copyright (c) 2015 Claudio Aguiar Almeida
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.