La sigilosa sonoridad de un texto plastico: Frida Kahlo en el cine y en su pintura

Authors

  • Eduardo Penuela Canizal Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2003.159043

Keywords:

poetics, image, plastic expression, cinema, culture and semiotics

Abstract

Considering that Frida, film directed by Julie Taymor, does not investigate the mythical dimension of painting, this paper explores some aspects ofAmerindian writing in a self-portrait ofFrida Kahlo, specifically the role of a rebus used by the Mexican painter to express her relationship to the mythical goddess Xochiquetzal, patroness of weavers and the art practiced by women.

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Published

2003-12-23

Issue

Vol. 30 No. 20 (2003)

Section

Articles

License

Copyright (c) 2003 Eduardo Penuela Canizal

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How to Cite

Canizal, E. P. (2003). La sigilosa sonoridad de un texto plastico: Frida Kahlo en el cine y en su pintura. Significação: Journal of Audiovisual Culture, 30(20), 27-64. https://doi.org/10.11606/issn.2316-7114.sig.2003.159043