Joan Miró: pequena semiótica do excremento
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2003.159046Keywords:
Miró, excrement, pictorical image, aesthetics, cultureAbstract
This essay does not strictly concern the works ofthe Catalan painter Joan Miro - although some ofthem are commented but his method of creating, as stated by Miro's own words: first, when he cooperates with the theatrical group La claca in Mori el Merma (1974), a play after Ubu roi, the masterpiece of Alfred Jarry; and second when the artist, holding a long conversation with Georges Raillard (Ceci estla couleur de mes reves, Paris, 1977) declares about a «painting» that Raillard finds out, and looks upon as an example of an unusual but interesting color, thatis an excrementitious sample. So related to this subjectthe run ofthe discourse will be the significance of excrement in the way Miro worked.
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Copyright (c) 2003 Pere Salabert
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