The world inhabited by images

Authors

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2022.193418

Keywords:

Social network, Surveillance, Politics, Visual arts, Contemporary

Abstract

In her book Politics of the image: surveillance and resistance in the datasphere, researcher Giselle Beiguelman combines theoretical knowledge and analysis of works of art and activist interventions to point out a change in the image visibility regime in the contemporary. Showing how surveillance and data control offered by users on the internet creates a new existence and interaction model, Beiguelman’s work depicts our present in dialogue with Foucault’s works and Jonathan Crary’s research on ways of seeing in modernity, indicating paths and proposals for artistic and political action in light of the sociability of images made to not be seen.

Downloads

Download data is not yet available.

Author Biography

  • Raul Arthuso, Universidade de São Paulo

    Doutorando em Meios e Processos Audiovisuais pela Escola de Comunicações e Artes da Universidade de São Paulo (ECA-USP). Mestre em Meios e Processos Audiovisuais pela ECA-USP.

References

BEIGUELMAN, G. Políticas da imagem: vigilância e resistência na dadosfera. São Paulo: Ubu, 2021.

BERARDI, F. Depois do futuro. São Paulo: Ubu, 2019.

CRARY, J. Técnicas do observador: visão e modernidade no século XIX. Rio de Janeiro: Contraponto, 2012.

SLAVOJ Zizek – The Handmaid’s Tale. [S. l.: s. n.], 2020. 1 vídeo (4 min). Publicado pelo canal The Radical Revolution. Disponível em: https://bit.ly/3HHuXSZ. Acesso em: 6 dez. 2021.

Referências audiovisuais

TERMINATOR 2: judgment day (O exterminador do futuro 2: O julgamento final). James Cameron, Estados Unidos, 1991.

THE SOCIAL dilemma (O dilema das redes). Jeff Orlowski, Estados Unidos, 2020.

Downloads

Published

2022-02-04

Issue

Vol. 49 No. 57 (2022): Arlindo Machado: Conceitos e processos poéticos nas comunicações e artes (II)

Section

Reviews

License

Copyright (c) 2022 Raul Arthuso

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

The world inhabited by images. (2022). Significação: Journal of Audiovisual Culture, 49(57), 350-358. https://doi.org/10.11606/issn.2316-7114.sig.2022.193418

Funding data