Geographic imaginations and figurative decentralization in the landscapes of contemporary cinema
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2024.221016Keywords:
contemporary cinema, geography, human figureAbstract
This study seeks to acknowledge the forms of destabilization of the geographic space and the decentralization of the human figure in the landscapes of contemporary cinema. This study focuses on the films Meek’s cutoff (2010) by Kelly Reichardt, Jauja (2014) by Lisandro Alonso, and Il buco (2021) by Michelangelo Frammartino, representatives of a spatial reiteration that crosses contemporary cinema. First, we focus on the concept of “geographical imaginations” by Ângela Prysthon. Then, we address the concept of the figure by the theory of image and with how some ways to address this figuration can lead to a decentralization of the human in relation to space.
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Referências audiovisuais
IL BUCO (Das profundezas). Michelangelo Frammartino, Itália, Alemanha, França, 2021.
JAUJA. Lisandro Alonso, Dinamarca, México, França, Argentina, Alemanha, Países Baixos, 2014.
MEEK’S CUTOFF (O atalho). Kelly Reichardt, EUA, 2010.
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