The dialectics logic of cinematic perception
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.59956Keywords:
Perception, dialectics, cinematic language.Abstract
The cinema, like the painting and the photography, uses the human being’s property of perceiving parts of images that are out of the picture/screen from parts of the same images that are on the picture/screen, expressing a dialectic between what we see and what we do not see. In the cinema, this dialectic is accomplished through moving images, having achieved a greater development thanks to the invention of the cut and, therefore, of the edition, becoming what we call logic dialectics of cinematic perception, with which we will deal in this text.
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Copyright (c) 2013 Vinicius Bandera
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