Arte y visualización en los nuevos medias, una estrategia de dislocación del sentido y la identidad

Authors

  • Francisco Gerardo Toledo Ramírez Universidad Autónoma Metropolitana

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2001.65536

Keywords:

Identity dislocation, Permutation, Ubiquity, Deconstruction, Transmutation processes, Virtuality, Interactivity.

Abstract

The added digital technology in visualization o f art objects h as just led that process further towards its natural consequences. lt has liberated and demonstrated that our confidence in the objectivity and cartesian consistency of the photographic representation of nature is no longer valid , at least in terms of our traditional notions of a meaning-time- space closed system. Interactivity and virtuality ha s demonstrated that at the core o f digital and website art resides the transformation o f the images (artistic creations among the most important) into a n open system. Thes e new way s o f producing and receiving mt objects require emergent sensibilities and paradigms regarding the latest contemporary cognitive and artistic values , a new technesthesia as nam e d by E . Couchot and others.

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Published

2001-11-25

Issue

Vol. 28 No. 16 (2001)

Section

Articles

License

Copyright (c) 2001 Francisco Gerardo Toledo Ramírez

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How to Cite

Arte y visualización en los nuevos medias, una estrategia de dislocación del sentido y la identidad. (2001). Significação: Journal of Audiovisual Culture, 28(16), 99-116. https://doi.org/10.11606/issn.2316-7114.sig.2001.65536