La Gran Pizarra, la ciudad de la imagen

Abstract

This article proposes a reading of the city as image, from a hypothetical photography. It approaches, firstly, the sense of imagination and the limits to share it. Then, taking the reference image, it builds different readings through a dialogue between both of the observers of the object. With the interference ofthe image's author, a dimension not yet contemplated appears. Consequently, it allows to glimpse the diversity of the readings that a same iconic text can produce . The city is the great blackboard in which the history is written and, taking a scenic metaphor, presents, without exhausting, the different parts of the reading to which someone has access in order to identify its components.