La Gran Pizarra, la ciudad de la imagen
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2002.65544Keywords:
Reading, City, Image, Iconism, PolissemyAbstract
This article proposes a reading of the city as image, from a hypothetical photography. It approaches, firstly, the sense of imagination and the limits to share it. Then, taking the reference image, it builds different readings through a dialogue between both of the observers of the object. With the interference ofthe image's author, a dimension not yet contemplated appears. Consequently, it allows to glimpse the diversity of the readings that a same iconic text can produce . The city is the great blackboard in which the history is written and, taking a scenic metaphor, presents, without exhausting, the different parts of the reading to which someone has access in order to identify its components.Downloads
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Published
2002-06-25
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Copyright (c) 2002 Nicolás Amoroso Boelcke
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How to Cite
La Gran Pizarra, la ciudad de la imagen. (2002). Significação: Journal of Audiovisual Culture, 29(17), 39-55. https://doi.org/10.11606/issn.2316-7114.sig.2002.65544