Cría cuervos e Todo sobre mi madre: família, cinema e subversão

Authors

  • Sandra Fischer Universidade Tuiuti do Paraná

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2004.65581

Keywords:

Cinema, Family, Poetics, Cría cuervos, Todo sobre mi madre

Abstract

This article presents part of the studies we have been developing about Spanish cinema, focusing on the representation of the family. Based upon the notion that there is a poetics of the family which permeates the work of the most important Spanish directors, we present an analyses of Cría cuervos and Todo sobre mi madre, both representative of this tendency.

Downloads

Download data is not yet available.

Downloads

Published

2004-12-23

Issue

Vol. 31 No. 21 (2004)

Section

Articles

License

Copyright (c) 2004 Sandra Fischer

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

Cría cuervos e Todo sobre mi madre: família, cinema e subversão. (2004). Significação: Journal of Audiovisual Culture, 31(21), 43-61. https://doi.org/10.11606/issn.2316-7114.sig.2004.65581