Documental y Peronismo
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2007.65647Keywords:
Peronismo, Visibilidade, Arte, Filme documentário.Abstract
Peronism of the 1950s - its ideas, achievements, its discursive formations and the figuration of its highest leaders, in combination with its abundant iconographic and sound production put out during its first and second gubematorial periods - is profusely recuperated in the Argentine cultural present through various artistic languages. Old and new painted, filmic, and media images about this mass movement circula te through unexpected spaces such as film festivais, museums dedicated to avant-garde exhibits, and in special programs or fictional shows on television. This persistent visibility can be interrogated from the vantage point of current debates on populism and its relation with democracy, as well as conceming its peculiarly hybrid temporalities of languages and forms offered by particularDownloads
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Published
2007-06-23
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Copyright (c) 2007 Ana Amado
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How to Cite
Amado, A. (2007). Documental y Peronismo. Significação: Journal of Audiovisual Culture, 34(27), 101-123. https://doi.org/10.11606/issn.2316-7114.sig.2007.65647