Documental y Peronismo

Authors

  • Ana Amado Universidad de Buenos Aires

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2007.65647

Keywords:

Peronismo, Visibilidade, Arte, Filme documentário.

Abstract

Peronism of the 1950s - its ideas, achievements, its discursive formations and the figuration of its highest leaders, in combination with its abundant iconographic and sound production put out during its first and second gubematorial periods - is profusely recuperated in the Argentine cultural present through various artistic languages. Old and new painted, filmic, and media images about this mass movement circula te through unexpected spaces such as film festivais, museums dedicated to avant-garde exhibits, and in special programs or fictional shows on television. This persistent visibility can be interrogated from the vantage point of current debates on populism and its relation with democracy, as well as conceming its peculiarly hybrid temporalities of languages and forms offered by particular

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Published

2007-06-23

Issue

Vol. 34 No. 27 (2007)

Section

Articles

License

Copyright (c) 2007 Ana Amado

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How to Cite

Amado, A. (2007). Documental y Peronismo. Significação: Journal of Audiovisual Culture, 34(27), 101-123. https://doi.org/10.11606/issn.2316-7114.sig.2007.65647