Sobre bicicletas y otros encantos cinematográficos

Authors

  • Reto Melchior Universidade de São Paulo / Kollegium St. Fidelis Stans, Suiça

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2009.66811

Keywords:

Cinema and literature, Intertextuality, Associative perception, Buñuel/Dalí, Un Chien andalou, Federico García Lorca, Buster Keaton

Abstract

Interpretative approach to the character of the cyclist in Un Chien andalou (1929), by Luis Buñuel and Salvador Dalí. Besides the title, this scene with a ridiculous man riding a bicycle is considered the main point of derision against Federico García Lorca because it is founded upon a “dialogue” by the Spanish writer, El paseo de Buster Keaton (1925), full of personal allusions, that the author, in moments of mutual confidence, had sent to Dalí.

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Published

2009-06-23

Issue

Vol. 36 No. 31 (2009)

Section

Articles

License

Copyright (c) 2009 Reto Melchior

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How to Cite

Sobre bicicletas y otros encantos cinematográficos. (2009). Significação: Journal of Audiovisual Culture, 36(31), 11-40. https://doi.org/10.11606/issn.2316-7114.sig.2009.66811