A remissão histórica do figurino e a construção da idéia de Brasil: a lógica do vestuário na obra de Caramuru de Guel Arraes

Authors

  • Solange Wajnman Universidade Paulista

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2010.68119

Keywords:

Costume, Media’s products, Historical film.

Abstract

In this work we searched for identifying the characters’ outfit of the film Caramuru, the invention of Brazil (2000), by Guel Arraes, and demonstrating that the historical costume is, many times, exhibited in a remissive way and without any order indicating to other distant spaces and times of the period dealt. We observe then the visual expression of a Brazil which historical data is deconstructed. Some theoretical-methodological possibilities are appointed as a contribution to the study of media’s products costume.

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Author Biography

  • Solange Wajnman, Universidade Paulista
    Universidade Paulista

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Published

2010-12-22

Issue

Vol. 37 No. 34 (2010)

Section

Articles

License

Copyright (c) 2010 Solange Wajnman

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How to Cite

A remissão histórica do figurino e a construção da idéia de Brasil: a lógica do vestuário na obra de Caramuru de Guel Arraes. (2010). Significação: Journal of Audiovisual Culture, 37(34), 155-171. https://doi.org/10.11606/issn.2316-7114.sig.2010.68119