Perrault, Rouch: slippages between the “direct cinema/cinéma-vérité” and the “lived cinema”
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2012.71137Keywords:
Documentary, direct cinema, cinéma-vérité, lived cinema, improvisationAbstract
Contemporaneous, documentary filmmakers who have had on the
“Other” the points of departure and arrival of their works, Perrault
and Rouch go to the encounter of Flaherty each one in their own
way. Shared anthropology, anthropology of memory, in both,
mise-en-scène of gesture and word. This paper intents to analyze,
from some of their films and in the light of the precepts of filmic
anthropology, the strategies of mise-en-scène of the two filmmakers
seeking to identify the distinctive features that anchor them in the
historic world.
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Copyright (c) 2012 Marcius Freire
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