The metafiction in Guel Arraes’ work: an analysis of the film

Authors

  • Afonso Barbosa
  • Luiz Antonio Mousinho

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2014.75894

Keywords:

Cinema, Guel Arraes, metaficcion.

Abstract

This article discusses the film Romance, by Guel Arraes, investigating its metafictional particularities. We are interested in examining the aesthetic peculiarities from the director along with his other works, such as Lisbela e o prisioneiro . To do so, we will support in the studies of Robert Stam (2000; 2006); Alexandre Figueirôa and Yvana Fechine (2008); and Gustavo Bernardo (2010).

Downloads

Download data is not yet available.

Downloads

Published

2014-07-31

Issue

Vol. 41 No. 41 (2014): Dossiê: Crítica Audiovisual

Section

Dossier

License

Copyright (c) 2014 Afonso Barbosa, Luiz Antonio Mousinho

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

The metafiction in Guel Arraes’ work: an analysis of the film. (2014). Significação: Journal of Audiovisual Culture, 41(41), 79-94. https://doi.org/10.11606/issn.2316-7114.sig.2014.75894