I miss you! The image transmutation of passionate meanings: frame, sequentiality and “eccentric percepts”
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2014.83422Keywords:
Transmutation, painting, cinema, discourse, sequential images.Abstract
Based on the analysis of A.J. Greimas about the meanings of the term nostalgia, as well as the concepts of discoursive exchanges between synthesis and expansion, this article compares the translation of nostalgia and similar passions both in pictures and in filmic images. Concepts as sequential and non-sequential images, frame, eccentric rearrangements of the signifiers, among others, help to have a better understanding of the procedures involved in translating passions both in paintings and in films.Downloads
Download data is not yet available.
Downloads
Published
2014-07-31
Issue
Section
Dossier
License
Copyright (c) 2014 Anna Maria Balogh
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
How to Cite
I miss you! The image transmutation of passionate meanings: frame, sequentiality and “eccentric percepts”. (2014). Significação: Journal of Audiovisual Culture, 41(41), 95-116. https://doi.org/10.11606/issn.2316-7114.sig.2014.83422