Viagem pela heterodoxia

Authors

  • Ismail Xavier Universidade de São Paulo. Escola de Comunicação e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2000.90613

Keywords:

Brazilian movie, Montage, Experimental movie, Travellers

Abstract

This article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which, together with this internal law of composition, intertextual relationships are taken as a fundamental component of the signifying processes engendered by the film.

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Published

2000-11-30

Issue

No. 14 (2000)

Section

Articles

License

Copyright (c) 2000 Ismail Xavier

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How to Cite

Viagem pela heterodoxia. (2000). Significação: Journal of Audiovisual Culture, 14, 9-19. https://doi.org/10.11606/issn.2316-7114.sig.2000.90613