The return of Khulekani Khumalo, zombie captive: imposture, law, and paradoxes of personhood in the postcolony

Authors

  • John Comaroff Universidade de Harvard e Universidade de Cape Town
  • Jean Comaroff Universidade de Harvard e Universidade de Cape Town

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2014.90737

Keywords:

Post-colonial, personhood, identity, doppelgänger

Abstract

What might imposture tell us about personhood in ‘postcolonial’ times? About the means of producing selfhood, identity, social viability? While the figure of the false double has long haunted Western ideas of personhood, imposture of various kinds has become ever more striking in late modern times. It is especially common in post-apartheid South Africa, for instance, where identity theft, plagiarism, fakery, even counterfeit crime are everyday occurrences. Taking a celebrated national case – the alleged ‘return’ of a famous Zulu musician who died three years ago – this paper explores what such acts of imposture might tell us about postcolonial self-fashioning, about personhood under contemporary social conditions, and about the difficulties posed by all this for law, evidence, and the meaning of recognition.

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Author Biographies

  • John Comaroff, Universidade de Harvard e Universidade de Cape Town

    Professor de Estudos Africanos e Afro-Americanos da Universidade de Harvard e da Universidade de Cape Town. Membro da American Bar Foundation

  • Jean Comaroff, Universidade de Harvard e Universidade de Cape Town

    Professor de Estudos Africanos e Afro-Americanos da Universidade de Harvard e da Universidade de Cape Town.

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Published

2014-12-04

Issue

Section

Articles

How to Cite

The return of Khulekani Khumalo, zombie captive: imposture, law, and paradoxes of personhood in the postcolony. (2014). Significação: Journal of Audiovisual Culture, 41(42), 186-211. https://doi.org/10.11606/issn.2316-7114.sig.2014.90737