An apostle of modernism at the International Exhibition for the Centennial of Brazilian Independence: Armando Pamplona and Independência Film

Authors

  • Eduardo Victorio Morettin USP

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2012.71264

Keywords:

Film and history, history of Brazilian cinema, Universal Exhibitions.

Abstract

The aim of this paper is to trace the trajectory of Armando
Pamplona at the International Exhibition for the Centennial of
Brazilian Independence, in 1922, analyzing the participation of
his production company, Independência Film, and his films. We
intend to evaluate the relationship between cinema and the state in
this period, taking Pamplona — named ‘apostle of modernism’ by
Menotti del Picchia — as a case study.

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Author Biography

  • Eduardo Victorio Morettin, USP
    Professor da Escola de Comunicação e Artes da Universidade de São Paulo. É um dos organizadores de História e cinema (2ª ed., SP, Alameda Editorial, 2011) e História e documentário (RJ, Ed. FGV, 2012). Bolsista do Conselho Nacional de Desenvolvimento Científico e Tecnológico.

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Published

2012-06-23

Issue

Vol. 39 No. 37 (2012)

Section

Articles

License

Copyright (c) 2012 Eduardo Victorio Morettin

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How to Cite

An apostle of modernism at the International Exhibition for the Centennial of Brazilian Independence: Armando Pamplona and Independência Film. (2012). Significação: Journal of Audiovisual Culture, 39(37), 75-92. https://doi.org/10.11606/issn.2316-7114.sig.2012.71264