The musical studio of Claudio Ptolemy

Authors

  • Cynthia Gusmão Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.1590/S1678-31662013000400002

Abstract

Music is an art with a special place in the technical domain, since from long ago musical performance made use of instruments. From Antiquity to modern era, musical instruments instigated acoustic investigations, and served both as devices for the observation of musical phenomena and as models for representing sound. The article expounds Ptolemy's approach in his Harmonics to the different methods of investigation involved, on the one hand, in the Pythagorean musical conception, with its arithmetical foundation and, on the other hand, the Aristoxenian conception, that puts musical phenomena into the same domain as human faculties like auditory perception and reason, while giving musical instruments a special role from both empirical and mathematical points of view. Harmonica is crucially important in bringing together a considerable part of science of harmonics in antiquity, and also going a step beyond this to expound the ancient conception of universal harmony.

Downloads

Download data is not yet available.

References

Ackrill, J. L. (Ed.). A new Aristotle reader. Oxford: Clarendon Press, 1987.

Aristóteles. Posterior analytics. In: Ackrill, J. L. (Ed.). A new Aristotle reader. Oxford: Clarendon Press, 1987. p. 39-59.

Aristóteles. Physics. Harvard University Press: Loeb Classical Library, 1996.

Aristóxeno. Aristoxeni elementa harmonica. Roma: Typis Publicae Officinae Polygraphicae, 1954.

Arquitas. Fragmentos. Tradução I. L. Borges. In: VVAA. Os pré-socráticos. São Paulo: Abril Cultural, 1973. p. 260-1.

Barbera, A. (Ed.). Music theory and its sources. Antiquity and the middle ages. Notre Dame/Indiana: University of Notre Dame Press, 1990.

Barbour, M. Tuning and temperament. New York: Dover, 2004.

Barker, A. Greek musical writings. Harmonic and acoustic theory. Cambridge: Cambridge University Press, 1989. v. 2.

Barker, A. Scientific method in Ptolemy’s harmonics. New York: Cambridge University Press, 2000.

Bélis, A. Aristoxène de Tarente et Aristote: le traité d’harmonique. Paris: Klincksieck, 1986.

Creese, D. Instruments and empicism in Aristoxenus. In: Huffman, C. A. (Ed.). Aristoxenus of Tarentum. New Jersey: Transaction Publishers, 2012. p. 29-64.

Crocker, R. L. Aristoxenus and greek mathematics. In: La Rue, J. (Ed.). Aspects of medieval and renaissance music – a birthday offering to Gustave Reese. New York: W.W. Norton & Company Inc., 1966. p. 96-110.

Dahlhaus, C. & Katz, R. Contemplating music. New York: Pendragon Press, 1989. v. 2.

Dillon, J. & Long, A. A. (Ed.). The question of “eclecticism”. Berkeley/Los Angeles: University of California Press, 1996.

Donini, P. The history of the concept of eclecticism. In: Dillon, J. & Long, A. A. (Ed.). The question of “eclecticism”. Berkeley/Los Angeles: University of California Press, 1996. p. 15-33.

Gibson, S. Aristoxenus of Tarentum and the birth of musicology. New York: Routledge, 2005.

Gusmão, C. A harmônica na Antiguidade grega, São Paulo, 2010. Dissertação (Mestrado em Filosofia). Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo.

Huffman, C. A. (Ed). Aristoxenus of Tarentum. New Jersey: Transaction Publishers, 2012.

La Rue, J. (Ed.). Aspects of medieval and renaissance music – a birthday offering to Gustave Reese. New York: W.W. Norton & Company Inc., 1966.

Lloyd, G. E. R. The revolutions of wisdom – studies in the claims and practice of ancient greek science. Berkeley: University of California Press, 1987.

Lloyd, G. E. R. Les science grecque après Aristote. Paris: Éditions La Découverte, 1990.

Lloyd, G. E. R. Methods and problems in greek science. Cambridge: Cambridge University Press, 1991.

Long, A. A. Ptolemy on the criterion: an epistemology for the practicising scientist. In: Dillon, J. & Long, A. A. (Ed.). The question of “eclecticism”. Berkeley/Los Angeles: University of California Press, 1996. p. 176-207.

Mathiesen, T. Apollo’s lyre. Nebraska: University of Nebraska Press, 1999.

Nicômaco de Gerasa. The manual of harmonics. Grand Rapids: Phanes Press, 1994.

Pseudo-Aristóteles. De audibilibus. In: Barker, A. Greek musical writings. Harmonic and acoustic theory. Cambridge: Cambridge University Press, 1989. v. 2. p. 98-109.

Pseudo-Euclides. The division of the canon. Lincoln: University of Nebraska Press, 1991.

Ptolomeu, C. Las hipótesis de los planetas. Madrid: Alianza Editorial, 1987.

Ptolomeu, C. Harmonics. London: Brill, 2000.

Schueller, H. Idea of music: an introduction to musical aesthetics in antiquity and the middle ages. Michigan: Medieval Institute Publications, 1988.

Sedeño, E. P. Introducción. In: Ptolomeu, C. Las hipótesis de los planetas. Madrid: Alianza Editorial, 1987. p. 9-51.

Solomon, J. A preliminary analysis of the organization of Ptolemy’s Harmonics. In: Barbera, A. (Ed.). Music theory and its sources. Antiquity and the middle ages. Notre Dame/Indiana: University of Notre Dame Press, 1990. p. 68-84.

Solomon, J. Introduction. In: Ptolomeu, C. Harmonics. London: Brill, 2000. p. xxi-xxxvii.

Szabó, A. Les débuts des mathématiques grecques. Paris: Vrin, 1977.

Treiler, L. (Ed.). Strunk’s source reading in music history. New York: Norton Company, 1998.

Weber, M. Fundamentos racionais e sociológicos da música. São Paulo: Edusp, 1995.

Zarlino, G. Le institutioni harmoniche. Venice, Italy. UNT Digital Library, 2012. Disponível em: <http://digital.library.unt.edu/ark:/67531/metadc25955/>. Acesso em: 13 out. 2012.

Published

2013-12-01

Issue

Section

Articles

How to Cite

The musical studio of Claudio Ptolemy . (2013). Scientiae Studia, 11(4), 731-762. https://doi.org/10.1590/S1678-31662013000400002