Deconstructing the path to the new world: analysis and interpretation of the film “promises”

Authors

  • Daniel Douek Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.2179-5894.ip31-48

Abstract

The paper analyzes and interprets the film Promises. The analysis it intends to undertake is essentially filmic. Within this perspective, it investigates the way the movie creates its message through the articulation of the whole, which involves images, sound and speech.

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References

DONIN, Hayim Halevy. O Ser Judeu. Jerusalém: Org. Sionista Mundial, 1985.

MENEZES, Paulo. O Cinema Documental como Representificação: Verdades e mentiras nas relações (im)possíveis entre representação, documentário, filme etnográfico, filme sociológico e conhecimento. In: BARBOSA, Andréa, CAIUBY-NOVAES, Sylvia, CUNHA, Edgar Teodor (et al) (orgs.). Escrituras da Imagem. São Paulo: Edusp, 2004.

MERLEAU-PONTY, Maurice. O cinema e a nova psicologia. In: XAVIER, Ismail (org). A experiência do cinema. Rio de Janeiro: Graal,1983.

NICHOLS, Bill. Introdução ao documentário. Campinas: Papirus, 2005.

WINSTON, Brian. Documentary: I think we are in trouble. In: Rosenthal, Alan (ed.): New Challenges for documentary. Berkley, University of California Press. 1988

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Published

2011-10-05

Issue

No. 10 (2011)

Section

Artigos

License

Copyright (c) 2011 Daniel Douek

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Deconstructing the path to the new world: analysis and interpretation of the film “promises”. (2011). Vértices, 10, 31-48. https://doi.org/10.11606/issn.2179-5894.ip31-48