Dysphoria as the Potency of Contradictions: A Bet by Paul B. Preciado

Authors

  • Marcos Beccari Universidade de São Paulo. Faculdade de Educação Author

DOI:

https://doi.org/10.11606/2175-974x.virus.v29.229604

Keywords:

Dysphoria, Digital technologies, Paul B. Preciado

Abstract

This study aims to foster a critical reading of some aspects of digital culture in the Global South – understood here as more than a geopolitical category – but as a postcolonial condition of specific perspectives, practices, and counter-hegemonic strategies in the global context. In particular, it focuses on the uses and political implications of digital automation that govern many online platforms and interactive devices. More precisely, I propose a theoretical review of some implications of the notion of "dysphoria" that Paul B. Preciado develops in his latest book, situating it as an onto-fictional potency of the constitutive contradictions of digital life in the Global South. I begin by contextualizing the Foucauldian tools Preciado largely relies on and then position the notion of "dysphoria" within the post-pandemic landscape of digital and algorithmic automation. Finally, I outline some existing paths for recognizing the dysphoria of the world as an ongoing effect of digital technologies shaping contemporary life.

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Author Biography

  • Marcos Beccari, Universidade de São Paulo. Faculdade de Educação

    Designer and holds a Ph.D. in Education. He is a Professor in the Design department at Federal University of Parana and in the Postgraduate Program in Education at University of Sao Paulo, Brazil. His work dialogues with Nietzsche, Foucault, Flusser and Preciado in the fields of Education, Art, and Design.

Published

2024-12-13

How to Cite

Beccari, M. (2024). Dysphoria as the Potency of Contradictions: A Bet by Paul B. Preciado. V!RUS Journal, 2(29), 15-23. https://doi.org/10.11606/2175-974x.virus.v29.229604