A igreja boa e má: As duas faces do catolicismo em Melmoth, o Andarilho de Charles Maturin

Autores

  • Charlie Jorge Universidad Camilo José Cela

DOI:

https://doi.org/10.37389/abei.v23i1.192580

Palavras-chave:

Gótico, Catolicismo, Irlanda, Maturin, Melmoth o Andarilho

Resumo

O século XVIII viu o surgimento da literatura gótica, para a qual a Igreja Católica passou a representar os medos que a sociedade inglesa em geral sentia em relação à “invasão” continental europeia, um inimigo às portas. No entanto, alguns desses romances, repletos de padres e freiras malvados, incluem também o outro lado da moeda: personagens religiosos que se esforçam na vida católica para encontrar oportunidades de exercer a benevolência e a caridade para com os necessitados.

Biografia do Autor

  • Charlie Jorge, Universidad Camilo José Cela

    Charlie Jorge holds a PhD in Comparative Literature and Literary Studies from the University of the Basque Country. The topic of his thesis was a study in depth of the figure of the hero in Charles Robert Maturin’s Melmoth the Wanderer, a novel that forms the core of his research. He specializes in Gothic literature, Archetypal Studies and Irish Studies, and has been working for some years on the novels of Gothic authors such as Charles Maturin, Ann Radclife or Matthew Gregory Lewis. He has recently published some articles on the archetypes of the Terrible Mother in Irish Literature and the Scapegoat in Melmoth the Wanderer. He is also working on a new scholarly edition of Maturin’s The Milesian Chief for the University of Wales project Gothic Originals, and lectures on Comparative Literature at Universidad Camilo José Cela.

Referências

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Foster, Robert Fitzroy. “Ascendancy and Union.” The Oxford History of Ireland, edited by Robert Fitzroy Foster, Oxford University Press, 2001, pp. 134-173.

Gillespie, Niall. “Irish Jacobin Gothic, c. 1796-1825.” Irish Gothics. Genres, Forms, Modes, and Traditions, 1760-1890, edited by Christina Morin and Niall Gillespie, Palgrave Macmillan, 2014, pp. 58-73.

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Maturin, Charles Robert. Women; or, Pour et Contre. Philadelphia, Moses Thomas, 1818. 3 vols.

Miles, Robert. “Europhobia: The Catholic Other in Horace Walpole and Charles Maturin.”

European Gothic. A Spirited Exchange, 1760–1960, edited by Avril Horner, Manchester University Press, 2002, pp. 84-103.

Morin, Christina, and Niall Gillespie. “Introduction: De-Limiting the Irish Gothic.” Irish Gothics. Genres, Forms, Modes, and Traditions, 1760-1890, edited by Christina Morin and Niall Gillespie, Palgrave Macmillan, 2014, pp. 1-12.

Lougy, Robert E. Charles Robert Maturin. Lewisburg, Bucknell University Press, 1975.

Peters, Edward. Inquisition. University of California Press, 1989.

Ranelagh, John O’Beirne. A Short History of Ireland. Cambridge, Cambridge University Press, 1983.

Rawlings, Helen. The Spanish Inquisition. Blackwell, 2006.

Scott, Walter, and Charles Robert Maturin. The Correspondence. Edited by Fanny Elizabeth Ratchford, New York, Garland, 1980.

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Publicado

2021-01-14

Edição

v. 23 n. 1 (2021): ABEI Journal 23.1

Seção

Artigos

Licença

Copyright (c) 2021 Charle Jorge

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.

Como Citar

Jorge, C. (2021). A igreja boa e má: As duas faces do catolicismo em Melmoth, o Andarilho de Charles Maturin. ABEI Journal, 23(1), 13-24. https://doi.org/10.37389/abei.v23i1.192580