A linha Dublin-Moscou: Rússia e a Poética do Lar na Poesia Irlandesa Contemporânea

Autores

  • Kim Cheng Boey Nanyang Technological University

DOI:

https://doi.org/10.37389/abei.v22i2.180774

Palavras-chave:

Rússia, Irlanda, Paul Durcan, Poética do lar

Resumo

Este artigo apresenta uma visão geral acerca das possibilidades engendradas pela influência da literatura russa sobre a poesia irlandesa. Em seguida, o foco se volta para a obra de Paul Durcan e a maneira pela qual a Rússia é apresentada como um “outro lugar” que permitiu a Durcan ir além da insularidade irlandesa e ampliar sua perspectiva. Desse modo, este estudo revela que o fato de Durcan voltar-se para a Rússia é uma tentativa de romper com a noção hegemônica de identidade, segundo a qual a relação entre lugar e sujeito é indissolúvel. Destarte, a Rússia é concebida como uma nação imaginária que permite ao sujeito se libertar da tradição anglo-irlandesa, permitindo a destruição de mitos que existem em torno da ideia de lar.

Biografia do Autor

  • Kim Cheng Boey, Nanyang Technological University

    Kim Cheng Boey migrated from Singapore to Australia in 1997. He taught Creative Writing at the University of Newcastle for 14 years before joining Nanyang Technological University in 2016. His latest book is Gull Between Heaven and Earth, based on the life of the Tang Dynasty poet Du Fu.

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Publicado

2020-12-20

Edição

Seção

A Poesia de Paul Durcan desde a Perspectiva Irlandesa e Internacional

Como Citar

Boey, K. C. (2020). A linha Dublin-Moscou: Rússia e a Poética do Lar na Poesia Irlandesa Contemporânea. ABEI Journal, 22(2), 83-98. https://doi.org/10.37389/abei.v22i2.180774