Piolin and Arrelia: amidst popular, classic and massive

Authors

DOI:

https://doi.org/10.11606/issn.2316-9125.v14i3p49-56

Keywords:

circus, circus‑theater, Piolin, Arrelia, São Paulo.

Abstract

The circus‑theater, that could be seen at São Paulo’s urban landscape throughout twentieth century, constituted itself in a form of popular performance based in the cultural hybridization, with
elements from learned culture and mass culture. In turn, both of these cultures assimilated the circus discourse, in an unequivocal process of cultural circularity.

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Author Biography

  • Walter de Sousa, University of São Paulo
    Professor doutor pela Escola de Comunicações e Artes da Universidade de São Paulo – ECA/USP.

References

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Published

2009-12-30

Issue

Vol. 14 No. 3 (2009): Comunicação & educação

Section

National Articles

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How to Cite

Sousa, W. de. (2009). Piolin and Arrelia: amidst popular, classic and massive. Comunicação & Educação, 14(3), 49-56. https://doi.org/10.11606/issn.2316-9125.v14i3p49-56