Piolin and Arrelia: amidst popular, classic and massive
DOI:
https://doi.org/10.11606/issn.2316-9125.v14i3p49-56Keywords:
circus, circus‑theater, Piolin, Arrelia, São Paulo.Abstract
The circus‑theater, that could be seen at São Paulo’s urban landscape throughout twentieth century, constituted itself in a form of popular performance based in the cultural hybridization, withelements from learned culture and mass culture. In turn, both of these cultures assimilated the circus discourse, in an unequivocal process of cultural circularity.
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