A PROJEÇÃO DA LOUCURA NA FIGURA FEMININA EM ANTICRISTO, DE LARS VON TRIER
DOI:
https://doi.org/10.11606/issn.1984-1124.v0i13p55-68Keywords:
Film studies, Literature, Lars von Trier, Point of view, Madness, Gender StudiesAbstract
Our intention is to present a dissonant study about the representation of madness in the film Antichrist (2009), by Danish filmmaker Lars von Trier. Departing from the analysis of the point of view presented by the film, which we think is associated with the male character, we aim to observe how femininity and its supposed “deviance from the norm” are filtered by the interests of the discourse embodied in this male figure. More broadly, we are interested in illustrating through a backward reading how the hallucinatory, paranoid processes and the trance state that the film exhibits refer to this very male figure, and what the consequences of this particular formal setting are.
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