I would never go back there: Writing as a practice of life in the poetry of Estela Rosa

Authors

  • Caio Arnizaut Riscado Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.11606/issn.1981-7169.crioula.2022.197363

Keywords:

Estela Rosa, writing as practice of life, community, memory;, unspecificity

Abstract

Based on the book Cine Studio 33, by Estela Rosa, the article approaches writing as a practice of life to suggest a way of being in the world committed to encounters. Memory, the community and its characters are treated as mobile instances that are re-elaborated from relational dynamics. The poems and the edition of the publication are read as sensitive materialities to propose the notion of “book dramaturgy” and to identify practices of non-belonging that mark unspecificity as a characteristic of contemporary literary production.

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References

BARBA, Eugenio. Queimar a Casa: origens de um diretor. São Paulo: Perspectiva, 2010.

GARRAMUÑO, Florencia. Frutos Estranhos: sobre a inespecificidade na estética contemporânea. Rio de Janeiro: Rocco, 2014.

RANCIÈRE, Jacques. O espectador emancipado. São Paulo: WMF Martins Fontes, 2012.

ROSA, Estela. Cine Studio 33. Juiz de Fora: Edições Macondo, 2021.

KLINGER, Diana. Literatura e ética: da forma para a força. Rio de Janeiro: Rocco, 2014.

Capa da Revista Crioula, que traz a silhueta de uma mulher vestindo turbante ao centro, em branco, sobre um fundo preto.

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Published

2022-12-20

Issue

No. 29 (2022): Dossiê n. 29: Estudos comparados hoje

Section

Dossiê n. 29: Estudos Comparados Hoje

License

Copyright (c) 2022 Caio Arnizaut Riscado

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

I would never go back there: Writing as a practice of life in the poetry of Estela Rosa. (2022). Revista Crioula, 29, 140-159. https://doi.org/10.11606/issn.1981-7169.crioula.2022.197363