As estampas xilograficas Shunga: metonimias do corpo erótico

Autores/as

  • Madalena Natsuko Hashimoto Cordaro Sem registro de afiliação

DOI:

https://doi.org/10.11606/issn.2447-7125.v0i23p63-73

Palabras clave:

shunga, ukiyo-e erotic prints，Edo period, Ar5 erotica eroticism rethoric in Japan.

Resumen

Through a selection of erotic images, shunga, designed by ukiyo-e painters it is aimed to analyse the erotic body model built using methonymical references during Edo period，starting from bride manuals by Hishikawa Moronobu，passing to Harunobu's liric child-like and half sexualized representation，then to Utamaro’s elegant, pleasureseaking and ludic representation Hokusai’s dinamism and full fruition， Eisen scientificism and finally，to the Utagawa artists Toyokuni Kuniyoshi，Kunisada and Yoshitoshi’s tortuosity decadence，violence and madness representation of sex.

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Publicado

2003-07-10

Número

Núm. 23 (2003)

Sección

não definida

Licencia

Derechos de autor 2003 Madalena Natsuko Hashimoto Cordaro

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.

Cómo citar

Cordaro, M. N. H. (2003). As estampas xilograficas Shunga: metonimias do corpo erótico. Estudos Japoneses, 23, 63-73. https://doi.org/10.11606/issn.2447-7125.v0i23p63-73