As estampas xilograficas Shunga: metonimias do corpo erótico

Auteurs

  • Madalena Natsuko Hashimoto Cordaro Sem registro de afiliação

DOI :

https://doi.org/10.11606/issn.2447-7125.v0i23p63-73

Mots-clés :

shunga, ukiyo-e erotic prints，Edo period, Ar5 erotica eroticism rethoric in Japan.

Résumé

Through a selection of erotic images, shunga, designed by ukiyo-e painters it is aimed to analyse the erotic body model built using methonymical references during Edo period，starting from bride manuals by Hishikawa Moronobu，passing to Harunobu's liric child-like and half sexualized representation，then to Utamaro’s elegant, pleasureseaking and ludic representation Hokusai’s dinamism and full fruition， Eisen scientificism and finally，to the Utagawa artists Toyokuni Kuniyoshi，Kunisada and Yoshitoshi’s tortuosity decadence，violence and madness representation of sex.

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Publiée

2003-07-10

Numéro

No 23 (2003)

Rubrique

não definida

Licence

(c) Copyright Madalena Natsuko Hashimoto Cordaro 2003

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.

Comment citer

Cordaro, M. N. H. (2003). As estampas xilograficas Shunga: metonimias do corpo erótico. Estudos Japoneses, 23, 63-73. https://doi.org/10.11606/issn.2447-7125.v0i23p63-73