A semiótica no/do teatro em La persistencia, de Giselda Gambaro

Authors

  • Edson Santos Silva Universidade de São Paulo; Faculdade de Filosofia, Letras e Ciências Humanas; Departamento de Linguística
  • Orlando Luiz de Araújo Universidade de São Paulo
  • Wilma Rigolon Universidade Estadual Paulista J. M. Filho

DOI:

https://doi.org/10.11606/issn.1980-4016.esse.2008.49216

Keywords:

theater-making, speech, semiotics

Abstract

From the analysis of the play La persistencia, by Giselda Gambaro, some elements concerning the semiotics of the making of drama will be presented, in respect to the elements of discourse, so that the audience, in learning the meaning of this language, may construct, interpret, evaluate, accept or reject these meanings.

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photo credi: http-//www.flickr.com/photos/thomashawk/2275652483/, Thomas Hawk.

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Published

2008-12-07

Issue

No. 4 (2008)

Section

Articles

License

The authors grant the journal all copyrights relating to the work published. The concepts expressed in signed articles are absolute and exclusive responsibility of their authors.

How to Cite

Silva, E. S., Araújo, O. L. de, & Rigolon, W. (2008). A semiótica no/do teatro em La persistencia, de Giselda Gambaro. Estudos Semióticos, 4. https://doi.org/10.11606/issn.1980-4016.esse.2008.49216