MEDEA: experience in video performance
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2023.201593Keywords:
Medea, Video performance, Feminisms, Napedra, MotimAbstract
Written in first person, this text aims to present the video performance MEDEA, performed by Luciana Lyra, directed by Ana Cecília Costa for the text by Newton Moreno. Created in 2021, the videographic action, with duration of 18 minutes, seeks inspiration in images from German and Brazilian woodcuts, with expressionist tones, to account for the dense narrative that unfolds about this iconic character of Greek tragedy, revisited here in a Brazilian context. Since MEDEA, in this video-performed narrative, is a northeastern woman in the diaspora to the Brazilian Southeast, the work ends up denouncing the state of oppression suffered by migrant women, giving feminist contours to the artistic action, a sign of the performances and staging championed by Lyra, a member of Napedra (Nucleus of Anthropology, Performance and Drama – Universidade de São Paulo), since 2004, and founder of the research group Motim – Mito, Rito e Cartografias Feministas nas Artes (Conselho Nacional de Desenvolvimento Científico e Tecnológico, CNPq – Universidade do Estado do Rio de Janeiro, UERJ), in 2015.
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Motim mito rito cartografias feministas nas artes. 2022. “MEDEA – Luciana Lyra”. YouTube, 15:20. https://bit.ly/3UtuQ3g
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