Modern cinema on Pasolini´s view
DOI:
https://doi.org/10.11606/issn.2238-8281.v1i1p101-109Keywords:
Modern cinema, Filme theory, Film criticismAbstract
The article comments on Pier Paolo Pasolini´s film theory, focusing on his conception of Modern Cinema as developed in his tests written in the sixties, specially "The Sequence-Shot" and "Cinema of Poetry". Here on finds a discussion of specific notions like "cinema of poetry" and "free indirect subjective", as well as a discussion about Pasolini´s idea of Editing as Death in its oppositions to Life embodied in the Sequence-Shot.Downloads
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Published
1993-12-30
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Articles
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A revista retém os direitos patrimoniais dos artigos e os publica simultâneamente sob uma Licença Creative Commons-Atribuição-Não Comercial-Sem Derivações.
How to Cite
Xavier, I. (1993). Modern cinema on Pasolini´s view. Revista De Italianística, 1(1), 101-109. https://doi.org/10.11606/issn.2238-8281.v1i1p101-109