O lugar da função poética na poli(a)fonia do objeto voz em Psicanálise

Abstract

This work is the product of a cartel of a Psychoanalysis School and aims to develop the design of the object voice as a lost object of the invoking drive, according to Jacques Lacan, and to seeks subjective manifestations and clinical forms in which one can find recovery of the voice as the more-to-enjoy object. In this course, we discuss the sonic hallucination, obsessive rumination and insult, among other phenomena. Following that, we discuss the place of the poetic function in psychoanalytic interpretation, taking the sonic materiality, assonance and affections caused by poetry as an imaginary recovery of lost enjoyment. We conclude that, once the voice is structurally turned into a lost object, there is no significant emission that does not carry an enigma, there no address that is not crossed by the oracular, and there is no communication in which mistake is not possible.