No. 36 (2018): A criação em circulação III: A criação literária

Editorial

Editorial n.36

Moema Rodrigues Brandão Mendes, Viviane Araújo Alves da Costa Pereira, Luz Pinheiro, Mônica Gama

1-4
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p1-4

Facsímile

Homenagem a Sônia Maria Van Dijck Lima

Philippe Marie Willemart

5-7
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p5-7

Artigos

Preliminary analysis of a manuscript of D. Pedro II: the translation of a fable from French into Portuguese

Noemia Guimarães Soares, Sergio Romanelli

8-26
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p8-26
Dom Pedro II's francophilia: a genetic dossier (1887 - 1891)

Luiza Salgado Mazzola

27-42
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p27-42
D. Pedro II’s Hitopadeśa: a Genetic Edition of an Imperial Translation

Adriano Mafra

43-59
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p43-59
Adelaide Ristori’s manuscript and the published text of Dom Pedro II translation about the Episode of Count Ugolino of The Divine Comedy: which represents the desire of author?

Romeu Porto Daros

60-87
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p60-87
The prefaces in Les Cinq Livres

Rubia Nara de Souza

88-104
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p88-104
Multimodality and scenography in four editions of the Antologia da Literatura Fantástica

Gustavo Primo

105-119
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p105-119
The paratextuality in Nicodemos Sena – Indications of creation

Iza Reis Gomes Ortiz, Eliane Auxiliadora Pereira

120-136
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p120-136
Lúcio Cardoso and the column “O crime do dia” (“The crime of the day”)

Cássia dos Santos

137-153
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p137-153
Lúcio Cardoso in a mimetic perspective: a reading proposal of the Apocalipse project

Frederico van Erven Cabala

154-166
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p154-166
«Assim é a vida, mas eu não concordo»: nodos e redes no processo criativo de Fernando Pessoa (apontamentos)

Jorge Uribe

167-183
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p167-183
Le cercle et l’écart : téléphone árabe, poste noire et circulation dans les manuscrits

Daniel Ferrer

184-190
- PDF (French)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p184-190
The circulation of processes of creation in Literature, Arts and Sciences (mobile text, initial conditions and attractor in the manuscript)

Philippe Willemart

191-202
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p191-202
Trazados escriturales en la obra de Ana Emilia Lahitte, entre la sujeción al todavía y la evidencia del jamás

Maria Paula Salerno

203-225
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p203-225

Diálogo

Entrevista: Maria Amélia Mello, “inventora de livros”, há 40 anos no mercado editorial

Rodrigo Simon de Moraes

226-232
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p226-232

Passado a limpo

Passado a limpo n. 36

Aline Novais de Almeida

233-235
- PDF (Portuguese)
DOI: https://doi.org/10.11606/issn.2596-2477.i36p233-235

Editorial

Editorial n.36

Facsímile

Homenagem a Sônia Maria Van Dijck Lima

Artigos

Preliminary analysis of a manuscript of D. Pedro II: the translation of a fable from French into Portuguese

Dom Pedro II's francophilia: a genetic dossier (1887 - 1891)

D. Pedro II’s Hitopadeśa: a Genetic Edition of an Imperial Translation

Adelaide Ristori’s manuscript and the published text of Dom Pedro II translation about the Episode of Count Ugolino of The Divine Comedy: which represents the desire of author?

The prefaces in Les Cinq Livres

Multimodality and scenography in four editions of the Antologia da Literatura Fantástica

The paratextuality in Nicodemos Sena – Indications of creation

Lúcio Cardoso and the column “O crime do dia” (“The crime of the day”)

Lúcio Cardoso in a mimetic perspective: a reading proposal of the Apocalipse project

«Assim é a vida, mas eu não concordo»: nodos e redes no processo criativo de Fernando Pessoa (apontamentos)

Le cercle et l’écart : téléphone árabe, poste noire et circulation dans les manuscrits

The circulation of processes of creation in Literature, Arts and Sciences (mobile text, initial conditions and attractor in the manuscript)

Trazados escriturales en la obra de Ana Emilia Lahitte, entre la sujeción al todavía y la evidencia del jamás

Diálogo

Entrevista: Maria Amélia Mello, “inventora de livros”, há 40 anos no mercado editorial

Passado a limpo

Passado a limpo n. 36

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