"O navio negreiro", de Castro Alves: consciência lírica e exaltação poética

Authors

  • Maria Braga Barbosa University of Brasília

DOI:

https://doi.org/10.11606/issn.2525-8133.opiniaes.2011.114629

Keywords:

Castro Alves, society, exaltation, lyric voice, colonialism

Abstract

Castro Alves’ “The slave ship” is a model for the lyrical speech and its relation with society. Such a relation is not confined to the theme of the poem, but is present since the form until the poet’s necessity (conscious of his important role) of seeking for a tone of exaltation to his work. Vanity, which is only possible in the social,
arises as driving force in the pursuit of poetic performance, which is attached to the historic ruling, to a certain pre-establishment, even though the genius creator is proclaimed by the merit of its originality.

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Author Biography

  • Maria Braga Barbosa, University of Brasília
    University of Brasília; Brasília Federal Institute

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Published

2011-04-24

Issue

No. 2 (2011): Dossiê: Século XIX

Section

Dossiê

License

Copyright (c) 2011 Opiniães

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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How to Cite

Barbosa, M. B. (2011). "O navio negreiro", de Castro Alves: consciência lírica e exaltação poética. Opiniães, 1(2), 36-42. https://doi.org/10.11606/issn.2525-8133.opiniaes.2011.114629