No. 1 (2012)

• Apresentação

  • PDF (Portuguese)

• Editorial

  • PDF (Portuguese)

• The body in the John Cassavete's filmmaking and its consideration for the performance

  Rodrigo Desider Fischer

  • PDF (Portuguese)

• Kusnet today

  Ney Luiz Piacentini

  • PDF (Portuguese)

• Performing in Reflective State: a remake of the performance "Movement to Promote the Cleanup of the Metropolitan Area (Be Clean)" by the Japanese group High Red Center (1960)

  Carolina Erika Santos

  • PDF (Portuguese)

• The essential performer by Denise Stoklos will always theater (essential)?

  Ipojucan Pereira da Silva

  • PDF (Portuguese)

• The influence of the clown in Samuel Beckett´s work as a clue to a poetics of the actor

  Thiago Antunes de Oliveira Santos

  • PDF (Portuguese)

• Attitude: unfoldings and confrontations of the actor’s training in the creative process of the play Cidade Submersa

  Marília Donoso, Jorge Peloso de Azevedo

  • PDF (Portuguese)

• Mapping Psychological Gestures (PGs) for female categories found in the drama of Nelson Rodrigues

  Lílith de Moraes Marques

  • PDF (Portuguese)

• Report on a particular production of The Three Sisters

  Marianne Tezza Consentino

  • PDF (Portuguese)

Interview

• A educação vocal do ator - Terezinha Nackéd Zaratin

  • PDF (Portuguese)