History of a modern place: Clorindo Testa and the Santa Rosa Civic Center, La Pampa
DOI:
https://doi.org/10.11606/issn.2317-2762.v20i34p110-125Keywords:
Modern architecture. Modern city. Civic center. Clorindo Testa. Modernity. Monumentality. Place. Latin America. Central areas (Argentina).Abstract
Santa Rosa, capital of the young province of La Pampa, was founded in 1892 at the end of the military campaigns that annihilated the indigenous people and ensured republican control over the Patagonia region. In 1955, the city held a design competition for the construction of its Civic Center. This was not a current infill operation intended to renew the core of the city, since it was not just a matter of raising a new facade along one of the four sides of the main square. The task implied designing, almost from scratch, a new part of city. Competitors were supposed to organize new buildings and public spaces within an area of nine hectares standing between the existing city and the surrounding pampas. Clorindo Testa won the competition by proposing that it be built as a piece of a modern city. Situated in the middle of Argentinean pampas, the Santa Rosa Civic Center has been less extensively discussed than other of Testa’s great contemporary works, such as the London Bank (1959) and the National Library (1962), both in Buenos Aires, even in the South American context. The Government Building, the Bus Station and the covered central space were built before 1963. Testa finished the Legislature Building in 1976, and even though in 2006 he was able to conclude the little Legislature Library, half of the Civic Center area still remains as open space. Nevertheless, as a living piece of the never-completed modern project installed in the far south, La Pampa’s case seems to pose relevant urban questions. This paper explores the case from two complementary perspectives. One focuses on the results of the first competition, recognizing an original contribution to the relationship between modernity, monument, and place. The second discusses the unfinished condition of the Civic Center as constitutive to modern tradition in the very modern sense of the city as a never-completed work.Downloads
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