Reflexivity and Self-Referentiality in Image. An Analysis of Yaxchilan Panel VII Hieroglyphic Stairway

Authors

DOI:

https://doi.org/10.11606/2179-0892.ra.2020.169169

Keywords:

Self-referentiality, Reflexivity, Image, Anthropology of Art, Maya

Abstract

This paper presents an analysis of ‘image-within-image’ in Panel VII, Hieroglyphic Stairway 2, Structure 33 of the ancient Maya city of Yaxchilan, considering the position it occupies in the set of panels and its integration in the architectural setting. It will also examine the narrative registered in the embedded text and the subject of both text and image. It will argue that the recursive device of ‘image-within-image’ in the Panel extends to the totality of the staircase with the other twelve that compose it, and to the ritual activity celebrated on it. The analysis will provide an opportunity to explore reflexivity and self-referentiality and their implications for insights on ritual and personhood among Late Classic Maya. To do this, I will build on anthropology of art approach and its notion that visual devices may elicit ontological conceptions.

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Author Biography

  • Hilda Landrove Torres, Universidad Nacional Autónoma de México. Mesoamerican Studies Posgraduate Program
    Hilda Landrove Torres is Master in Mesoamerican Studies. PhD Candidate at Mesoamerican Studies Posgraduate Program, National Autonomous University of Mexico. Member of College Art Association of Latin American Art. Her research areas are political anthropology of Indigenous Peoples and Anthropology of Art.

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Published

2020-04-27

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Articles

How to Cite

Torres, H. L. (2020). Reflexivity and Self-Referentiality in Image. An Analysis of Yaxchilan Panel VII Hieroglyphic Stairway. Revista De Antropologia, 63(1), 105-121. https://doi.org/10.11606/2179-0892.ra.2020.169169