A transcendência no corpo-linguagem: a concepção de dança em Rousseau

Autor/innen

  • Jacira de Freitas Rosa Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.2447-9772.i2p37-45

Schlagwörter:

Rousseau, dance, imitation, pitié

Abstract

This paper aims at the understanding the role of Dance in Rousseau’s political philosophy and particularly in folk festivals, in spite of the few passages the philosophe has dedicated to its analysis. The discussion is mainly concerned with the definition of the essential components that define festival-dances in opposition to Ballet and mark its own performing sphere. The structural conditions for evading the solipsism in which man is trapped by society are to be found in imitation, tactile sensations and in pitié .

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Autor/innen-Biografie

  • Jacira de Freitas Rosa, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Doutoranda em Filosofia pela Universidade de São Paulo

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Veröffentlicht

2002-12-16

Ausgabe

Nr. 2 (2002)

Rubrik

Resenhas

Lizenz

Copyright (c) 2002 Rapsódia

Creative Commons License

Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Nicht-kommerziell - Weitergabe unter gleichen Bedingungen 4.0 International.

Zitationsvorschlag

Rosa, J. de F. (2002). A transcendência no corpo-linguagem: a concepção de dança em Rousseau. Rapsódia, 1(2), 37-45. https://doi.org/10.11606/issn.2447-9772.i2p37-45