Object, Context and Memory

Abstract

This paper presents issues on forms of exhibit an artistic objects and recollections related to it, resulting from the thesis about the international receptions of the artist Hélio Oiticica. Special shows registered by individual memories were identified by interviews, on a specific exhibition periodo and context. These informations assembled contribute to understand variants that interfere in the reception of an art object. By one side, we Identify those referential aspects that impact the way of show an art object and its possible consequences. By the other, its faced out dinamic relations of these memories transformed by the time, framing new formats and perceptions of the same art object. Thinking on how these art objects are presented to the public in space, text, selection, display, instituctional and urban context, redesign multiple meanings and readings of the same object. It could amplify the meanings and readings of an art work, or completely desconnect with its inicial proposals.