The “ace in the hole” of the Industry of Culture

Authors

  • Cristina Moura Emboaba da Costa Julião de Camargo Universidade do Estado de Santa Catarina. Departamento de Música

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2017.131541

Keywords:

Industry of culture, Musical teaching, Art, Culture, Song.

Abstract

Critical discussion on musical expressions produced for industrialized consumption, stretching its spedificities and usage, from spontaneous informality to marketing/ideological control of industry of culture (ADORNO, 1944) and from directed entertainment, its consequences and perspectives on the disciplined sensibility and leveled taste contemporary society. On the other hand, the transgressive universe of art and the impact of music as language (comprehension of the work and construction of taste and aesthetical judgement) as possibilities for critical formation and resistance to this structure of control and consumption.

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Author Biography

  • Cristina Moura Emboaba da Costa Julião de Camargo, Universidade do Estado de Santa Catarina. Departamento de Música

    Doutora em musicologia pela PPGMus ECA/USP, é docente efetiva do Departamento de Música da UDESC (SC), responsável pela área de Regência Coral, Coral e prática de conjunto. Universidade do Estado de Santa Catarina. 

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Published

2017-10-30

Issue

Vol. 3 No. 1 (2017)

Section

Article

License

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

The “ace in the hole” of the Industry of Culture. (2017). Revista Da Tulha, 3(1), 103-125. https://doi.org/10.11606/issn.2447-7117.rt.2017.131541