Villa-Lobos: Brazilian classical music as a regional canon in relation to native music

Authors

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2017.142771

Keywords:

Brazilian music, Heitor Villa-Lobos, canon, Western music, indigenous thematic

Abstract

This work aims to study the possible relations between the canon in Western music and Brazilian classical music. For this, we present some considerations of the composer Heitor Villa-Lobos on Brazilian music, as well as characteristics of his works with indigenous theme. Afterwards, these relations will be confronted with the very manifestations of Brazilian native music.

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Author Biography

  • Nicolás Ramirez Salaberry, Universidade Estadual Paulista Júlio de Mesquita Filho

    Nicolás Ramirez Salaberry é mestre em música (musicologia/ etnomusicologia) pelo Instituto de Artes da Universidade Estadual Paulista (IA-UNESP). É bacharel em música com habilitação em regência pela Escola de Comunicações e Artes da Universidade de São Paulo (ECA-USP).

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Published

2017-12-21

Issue

Vol. 3 No. 2 (2017)

Section

Comunication

License

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Salaberry, N. R. (2017). Villa-Lobos: Brazilian classical music as a regional canon in relation to native music. Revista Da Tulha, 3(2), 127-136. https://doi.org/10.11606/issn.2447-7117.rt.2017.142771