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Vol. 13 No. 1 (2012)

View Vol. 13 No. 1 (2012)

Published: 2012-06-17

Articles

The evolution of Bartok's musical language

Elliott Antokoletz

11-31
- PDF (Portuguese (Brazil))
In respect of performance: the view from musicology

John Rink

32-60
- PDF (Portuguese (Brazil))
Three time structures in Luciano Berio's O King

Silvio Ferraz Mello

61-95
- PDF (Portuguese (Brazil))
Silence in Webern: listening to Op. 30 from Cage and Boulez's thoughts about silence

Isis Biazioli, Paulo de Tarso Salles

96-135
- PDF (Portuguese (Brazil))
Compositional planning of Pedro Miguel’s ponteio Nº. 1 based on the modelling of Guarnieri’s ponteio Nº. 11

Pedro Miguel de Moraes, Liduino Pitombeira

136-154
- PDF (Portuguese (Brazil))
Lo Schiavo project: the creation’s intermittences

Denise Scandarolli

155-186
- PDF (Portuguese (Brazil))
The organizing function and the expressive quality of hebrew letters in Lasso’s "Lamentationes Jeremiae Prophetae”

Áurea Helena de Jesus Ambiel

187-218
- PDF (Portuguese (Brazil))

Resenhas

A Questão Carlos Gomes

Achille Picchi

242-254
- PDF (Portuguese (Brazil))
A arte de tanger teclas no Brasil (1751-1815): os tratados em português

Pedro Prufe Diniz

255-270
- PDF (Portuguese (Brazil))
"Music on Deaf Ears": Reflexões acerca de ideologia e educação musical

Talitha Couto Moreira

271-278
- PDF (Portuguese (Brazil))
O Piano Brasileiro da Atualidade por Cristina Capparelli

Luciana Noda

279-286
- PDF (Portuguese (Brazil))

Tradução

“On the characteristics of the musical keys and its effects on the expression of affekten” (Johann Mattheson, 1713). Translation and short introduction.

Lúcia Becker Carpena

219-241
- PDF (Portuguese (Brazil))

Scores

"Estudo sobre o pente de Istambul", de Gilberto Mendes

Beatriz Alessio

287-300
- PDF (Portuguese (Brazil))