Catete in D minor: musical tensions in the First Republic

Authors

  • Rafael Nascimento Universidade Estadual de Campinas, Campinas, SP

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i67p38-56

Keywords:

Brazilian popular music, Chiquinha Gonzaga, First Republic, gender and sexuality

Abstract

This article deals with the entanglements between culture and politics in the first decades of Brazil’s First Republic taking the disputes surrounding the category “popular music” as a privileged element of socio-anthropological analysis. Starting from a very well-known episode among historians of music – the “Noite do Corta-jaca”, occurred in October 26th, 1914 – and its repercussion in local press, I wish to comprehend in which ways notions as “erudite” and “popular” (or even “high” and “low” culture) were created by an intelligentsia willing to validate the new political regime before its population.

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Author Biography

  • Rafael Nascimento, Universidade Estadual de Campinas, Campinas, SP
    RAFAEL NASCIMENTO é doutorando em Antropologia Social na Universidade Estadual de Campinas (Unicamp) e faz parte do Comitê Editorial da PROA – Revista de Antropologia e Arte.

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Published

2017-08-31

Issue

No. 67 (2017)

Section

Articles

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Nascimento, R. (2017). Catete in D minor: musical tensions in the First Republic. Revista Do Instituto De Estudos Brasileiros, 67, 38-56. https://doi.org/10.11606/issn.2316-901X.v0i67p38-56