The Brazilian avant-garde art and its manifestos

Authors

  • Maria de Fátima Morethy Couto Universidade Estadual de Campinas; Instituto de Artes

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i53p89-106

Keywords:

Brazilian modernism, avant-garde art, manifestos

Abstract

This article discusses the impact, in both the field of the arts and in the history of Brazilian modern art, caused by three different manifestoes, published over the course of the twentieth century, namely: Manifesto Antropófago, 1928; Manifesto Ruptura, launched in 1952, at the first "paulista" concretist group exhibition; and Mamãe Belas-Artes, a text originally published in 1977. Their authors did not hesitate to declare their intention to break away from the past and from the artistic paradigms of the time. We will reflect upon the limits and reaches of our modern project, and on the specific characteristics of implementing a "space of contemporaneity" amongst us.

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Published

2011-09-01

Issue

Section

Articles

How to Cite

Couto, M. de F. M. (2011). The Brazilian avant-garde art and its manifestos . Revista Do Instituto De Estudos Brasileiros, 53, 89-106. https://doi.org/10.11606/issn.2316-901X.v0i53p89-106