A Cinematic Narrative: one of the possible worlds to enter the conceptual universe of the hospitality
DOI:
https://doi.org/10.11606/issn.1984-4867.v27i2p454-468Keywords:
Hospitality, Cinematic narrative, Mimesis and diegesis, Film analysis, Possible and real existing worlds.Abstract
This text discusses the pragmatic and theoretical universe of the hospitality relationship experienced in the fictional plot of the film A Chinese Tale. From contemporary conceptual references about fictional semantics and from the diegesis concept used in the film analysis, which are divergent from the Platonic and Aristotelian concept of mimesis, the plot and the narrative universe of the film is resumed to reflect on various aspects of the hospitality experienced between the host and the guest in this work of fiction, such as conditional hospitality, tolerance, limited welcoming, condescending concession, two-dimensionality and socio dynamics of the welcoming. It concludes by referring to the real world, highlighting the importance of the sense of the meeting of different subjectivities, yet not indifferent ones, as well as the sense of wanting and celebrating this meeting.Downloads
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Published
2016-09-08
Issue
Section
Ensaios
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Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0), allowing the sharing of the work with recognition of its authorship and initial publication in RTA.
How to Cite
CAPPELLANO DOS SANTOS, Marcia Maria; DE OLIVEIRA MARCELINO, Thays; KÖCHE, José Carlos. A Cinematic Narrative: one of the possible worlds to enter the conceptual universe of the hospitality. Revista Turismo em Análise, São Paulo, Brasil, v. 27, n. 2, p. 454–468, 2016. DOI: 10.11606/issn.1984-4867.v27i2p454-468. Disponível em: https://revistas.usp.br/rta/article/view/113777.. Acesso em: 17 may. 2024.