Vakhtangov's theatre: fundamentals of a theatrical practice

Authors

  • Adriane Maciel Gomes State University of Londrina

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2017.130894

Keywords:

Vakhtangov, theatrical tradition, staging

Abstract

This article considers aspects from the trajectory of the director Evguiêni Bagratiónovitch Vakhtângov in the elaboration of his poetics of the scene, mainly with regard to the ownership of elements from commedia dell’arte and Stanislávski system. It also seeks to identify the permanence of some procedures used by Vakhtângov in contemporary theatrical proposals.

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Author Biography

  • Adriane Maciel Gomes, State University of Londrina
     

References

ALONGE, Roberto; BONINO, Guido Davico (org). Storia del teatro moderno e contemporaneo: Avanguardie e utopie del teatro. Il Novecento. V.3.Torino, Einaudi, 2001.

BARBA, Eugenio. A Canoa de Papel. São Paulo, HUCITEC, 1994.

BORNHEIM, Gerd. A. O Sentido e a Máscara. São Paulo, Perspectiva, 1975.

CRUCIANI, Fabrizio. Civilitá Teatrale nel XX secolo. Bologna, Il Mulino, 1986.

MARINIS, Marco de. In cerca dell’attore: un bilancio del Novecento Teatrale. Roma, Bulzoni, 2000.

EINES, Jorge. Allegato em favor del actor. Madri, Fundamentos, 1985.

MALCOVATI, Fausto. Stanislavskij: vita, opera e metodo. 4 ed, Roma, Laterza, 2004.

SAURA, Jorge. (org). E.Vajtángov:Teoria y Práctica teatral. Madrid, Carácter S.A, 1997.

WORRAL, Nick. Modernism to Realismo on the Soviet Stage: Tairov, Vakhtangov, Okhlopkov. Cambridge, Cambridge University Press, 1989.

Published

2017-06-22

Issue

Section

Artigos

How to Cite

Gomes, A. M. (2017). Vakhtangov’s theatre: fundamentals of a theatrical practice. RUS (Sao Paulo), 8(9), 171-185. https://doi.org/10.11606/issn.2317-4765.rus.2017.130894